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The history of Walt Disney's Carousel of Progress  starts in the early 60's when many companies were preparing for the World's Fair in New York City in 1964 and 1965.  The Walt Disney Company, then known as WED Enterprises (Walter Elias Disney) was hired by several companies, Ford and Pepsi among them, to design and create exhibits to boldly represent their respective corporations.  None, however, so grabbed the founder's heartstrings like the exhibit he was hired to produce for General Electric.  Progressland's Carousel Theater would be a completely new experience for Walt, and a challenge he couldn't wait to throw himself into.

Walt immersed himself in the project, even choosing the voices for the show personally, to make sure that the characters reflected the midwestern values and attitudes that he felt so strongly about. (The voices of the father, both chosen by Walt, were Rex Allen and author/actor Jean Shepherd. Most people remember him as the writer and narrator of the movie "A Christmas Story.")  Trying his hardest to let the engineers do the work, he took every opportunity to make his point ever so clear about what story the show should convey.

"When we were designing the thing, Walt couldn't resist getting up and doing the work himself," explains imagineer, John Hench. "He jumped in the bathtub for the Cousin that was visiting--the guy who invented air conditioning with the fan and block of ice. And he'd say, `What would Cousin Orville do if he were in here?' Walt turned the tub around to face the audience, and he took off his shoes and wiggled his toes to show us. He went through the whole bit. He did several of the acts and even vented dialogue as he went. He was the best storyman, particularly on the small bits of business, and it's the small individual things that you never forget." (Persistence of Vision Publishing)

Of all of the exhibits that came to fruition, the Carousel Theater was by far the fan-favorite.  It is, in fact, often remembered as the G.E. pavilion. In reality, there were five different sections to the presentation, including Fusion on Earth and Electric Living - an on display electric community.

After the fair's end in 1965, the theater was demolished while all of the animatronics and control systems were moved to Disneyland so the show could be put on display in Tommorowland.  The name was changed from Progressland to G.E.'s Carousel of Progress.  It remained there until the early 70's, when it was closed and moved to Walt Disney World in Florida, being replaced at Disneyland by America Sings.  The theme song that had been used since the opening at the fair, "Great Big, Beautiful Tomorrow," was dropped during the transition, and changed to "Now is the Time."  A major change was made in 1992 when G.E. removed its sponsorship of the attraction.  A dramatic rewrite of the final scene, changed the setting from a late 60's culture to a more 90's look with high definition T.V., Dad in the kitchen, and Mom doing her work at the computer. (Which if you look closely, is scrolling the script along with the animatronic family.)  During this revamp, the show was renamed Walt Disney's Carousel of Progress and the original song was returned to it's rightful place. Today, the show has the distinguishment of having more performances than any other stage presentation in the world.


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